Author develops artistic research focused on how technical systems become experienceable, interpretable, and collectively shared events. Her practice investigates the conditions under which abstract computational processes cross into the field of human perception, bodily experience, synchronisation, and the production of meaning.

Working with interactive installations, audiovisual environments, and participatory models, she constructs situations in which algorithmic operations unfold in direct relation to human presence. Touch, facial expression, directed attention, and collective action activate processes that exceed the individual and form distributed fields of resonance and shared experience.

These interactions unfold in the space between non-human computational logic and human perception. This space becomes the central zone of inquiry: a site where technical operations are made perceptible while retaining their own logic and remaining irreducible to human experience. Affect, interpretation, and the collective production of meaning emerge here through participation, bodily response, and shared experience.

A further dimension of this practice concerns the prosocial potentials of computational systems: how technical infrastructures might sustain synchronisation, collective sensibility, and shared affect, and where the limits of machine perception and interpretation lie.

In this way, systems function as environments of encounter, spaces where individual actions coalesce into collective configurations, and the relationship between the human and the technical process remains open and unresolved.

Her work has been presented at the New Stage of the Alexandrinsky Theatre, the Multimedia Centre of the Russian Museum, the Central Exhibition Hall Manege, and at international exhibitions in Italy, Germany, the United Kingdom, the United States, and Korea. She holds a Master's degree from the Art & Science programme at ITMO National Research University, Saint Petersburg.